Art That Showsthe Strength of a Relationship Between Two Women During the Oppressive Taliban Rule

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Dominicus/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If yous've ever taken an art history grade or spent fourth dimension in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, about of what we learn near art history today yet centers on white men from Europe and, later, the U.s.a.. In reality, there are so many more artists of all genders to acquire from and appreciate.

Here, we're specifically taking a look at just some of the women who have had lasting impacts on their art forms. From some of the fine art world's most iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, however have a hand — in changing the world of fine fine art and how nosotros define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. Later on studying the work of painters like Cézanne and Monet while abroad, she returned to the Usa, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Picture show Stills (1977–80). series. Photos Courtesy: Museum of Modernistic Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is possibly most well known for her series of Untitled Film Stills (1977–fourscore) — self-portraits in which Sherman "posed in the guises of diverse generic female movie characters, amid them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the performance Cutting Slice, 1964, and a picture of the installation Half-A-Room, 1967, as seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Mod Art (MoMA)

You might first retrieve of Yoko Ono as a musician and activist, but she's as well an achieved performance and conceptual creative person. Ono was considered a pioneer in the performance art movement, earning the nickname the "High Priestess of the Happening".

One of her well-nigh revered works, Cut Piece, was a functioning she beginning staged in Japan; Ono sat on stage in a overnice suit and placed pair of scissors in front of her, and, in an human action of daring vulnerability, invited audience members to come on stage and cut abroad pieces of her wear. "Art is like breathing for me," Ono has said. "If I don't do information technology, I start to choke."

Betye Saar

Betye Saar'southward Black Girl'due south Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before condign a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking elective changed her entire career trajectory — and, in turn, office of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If y'all can get the viewer to look at a work of art, then yous might be able to give them some sort of bulletin."

Frida Kahlo

People look at Frida Kahlo'due south 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It'south rare to find someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is all-time known for exploring themes like decease and identity through her self-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist motion.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors showroom at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she's also known for her hyper-existent sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which utilize mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Erstwhile Offset Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald'south work — and her signature grayscale peel tones — equally she was the first Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her serial, Pelvis Series Carmine With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known equally the female parent of American modernism, yous likely acquaintance Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, only maybe, the skyscrapers of New York City. In the 1920s, she was the beginning woman painter to proceeds the respect of the New York art earth, all by painting in her unique mode.

Adrian Piper

Adrian Piper wins the Golden King of beasts for best artist in Okwui Enwezor's biennial exhibition All the Earth'southward Futures, role of the 56th Venice Biennale in 2015. Photograph Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audience to confront truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Black homo with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Burn at the Robert Rauschenberg Foundation in New York City in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took place. She is all-time known for her photography, flick, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat'due south works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer'southward piece of work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human activity as meditations on various concepts, such every bit trauma, knowledge, and hope. One of her more notable works, I Odour Y'all On My Pare, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'south Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (Ago)

Much of Rebecca Belmore'due south fine art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to enhance awareness around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation fine art and sculptures — similar the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art earth.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Beloved, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop art, Mickalene Thomas oft embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'southward seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was i of the major figures inside the early Feminist Fine art motion. Every bit exemplified in her iconic piece of work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California Country University in Fresno, Chicago founded the kickoff feminist art programme in the The states.

Augusta Brutal

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating scenic sculptures, oftentimes of Blackness folks, Savage founded the Savage Studio of Arts and crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Just look upwardly her most famous work, Interior Roll, and you'll see what we hateful.) She used her body to examine women'southward sensuality and liberation from the oppressive artful and social conventions established by our patriarchal lodge.

Nan Goldin

Nan Goldin'southward Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York Metropolis's queer subculture postal service-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went past her last proper noun professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of large-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilization.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa'southward concluding public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during Globe War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York Metropolis. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a mode that conveys power and respect past evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Touch on Honor at the Indiecade Festival in 2020 and the Artistic Award from the Gender Justice League in 2016. She believes teaching is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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